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Tutorials
Modular Synthesis:
Granular Techniques:
Hardware:
Softube´s Modular - Tutorial 9 "The Sequencer Modules"
Timeline:
0:00:00 Introduction
0:00:28 Why Analogue Sequencing?
0:03:21 The 4 Sequencer Units
0:03:46 Clock and DAW SYNC
0:05:32 Clock and LFO
0:06:20 LENGTH
0:06:52 Automating LENGTH
0:07:30 RESET
0:09:24 LOOP
0:10:23 Linking Sequencers
0:14:51 CV, RANGE and QUANTISE
0:17:20 CV and PITCH (2 Charts)
0:17:56 TRIGGER and GATE
0:19:45 Patching
0:19:55 GATE as a CLOCK
0:20:42 The Sequencer Units and the
Piano Roll, Part 1
0:22:05 TRIGGER as a CLOCK
0:22:25 The Sequencer Units and the
Piano Roll, Part 2
0:24:19 Sequencer and Envelopes
0:28:58 Transposing Sequences
0:31:26 VCO as a CLOCK, the Clock Divider
0:33:15 Modulating the CLOCK
0:34:18 Pitch and CLOCK
0:34:58 Sequencers in Feedback Loops
0:40:45 Complex Rhythmical Structures
(Polyrhythms)
0:46:04 The Beat Sequencer
0:48:50 SWING
0:53:07 The Beat Sequencer as a
CLOCK source for Sequencer
8/16
0:55:17 Ratcheting
1:02:30 Ratcheting in Live Situations
1:04:11 The End
1:07:16 The Very End
Some people call it the core competency of modular synthesis, others think it is a redundant part of synthesis with all that computers at hand. I simply love it: Analogue Sequencing! Sequencing anything and everything, producing short fast running patterns embedded in long lasting and huge carpets of sound … Well, just watch tutorial 9.