Softube Modular 10

Timeline

0:00:00 Introduction
0:01:38 The Front Panel: Ovverview and
             Groups
0:02:15 The Outputs: The Waveforms
0:03:10 The Inputs: Groups of
             Functionalities
0:04:38 Ranges of Frequencies
0:08:33 The Waveform Switches
0:08:44 Sine, Sigmoid and Double
                  Sigmoid
0:12:30 Pulse, Centered and Edge
                  Aligned, Merging Waves, PW,
                  PWM
0:29:19 Pulse Width Modulation
0:32:17 Softsync (“Flip”)
0:33:48 Terminology
0:34:42 Relations of Frequencies, Master
                  and Slave
0:40:00 Non-Integer Relations
0:41:47 Different Waveforms of the Slave
0:52:55 Different Classes of Spectra
1:16:00 Different Waveforms of the
                  Master
1:18:48 Hardsync
1:20:11 Comparing Hardsync and
                  Softsync
1:24:26 Master-Slave Frequency
                  Relations with Different Kinds of
                  Master-Waves

1:30:14 Rubicon as Master and Rubicon as
              Slave
1:33:10 The Magic of Zig-Zag
1:35:03 Rubicon-Square versus A-110-
              Square

1:43:34 SUB: Syncing to Death
1:44:58 Networks of Masters and Slaves
1:46:40 Exponential Frequency Modulation
1:47:05 Just for the Beginners: Some
              Explanations of Basic Terms
1:48:00 Frequency Modulation
1:49:43 Exponential Frequency
                    Modulation
1:51:42 Linear Frequency Modulation
1:53:07 Through Zero Frequency
                    Modulation
1:58:42 First Exponential Frequency
              Modulation with Rubicon
2:02:02 Attenuating the Strength of
              Modulation
2:03:44 Modulating the Modulation
2:07:49 A “Melody of Sounds” with MIDI-
              Notes as Modulators, Microtonal ¨ Scales, Macrotonal Scales
2:10:25 Some Typical Little Patches
2:15:07 Through Zero Frequency
              Modulation
2:15:25 SYMMETRY
2:20:40 INDEX
2:26:10 And again: SYMMETRY
2:28:17 Detour: The 20% Principle
2:29:40 SYMMETRY and “Negative”
              Frequencies
2:34:38 “A Singing Modulator” or “Rubicon
              Gets Rid of Its Voice”
2:46:58 Reflecting Partials and Splitting
              Partials
2:48:30 Future Prospects
2:51:40 Some Words at the End
           The End at 2:52:38